Based on Tolstoy's short novel, The Death of Ivan Ilyich was made with Lajos Básti in the great title role of the St Petersburg forensic judge. This timeless work is also about acceptance, moral values, empathy and the often difficult-to-decipher intricacies of human relationships.

Fromental Halévy’s five-act grand opera La Juive (‘The Jewess’) is one of the most popular operas of the 19th century, captivating audiences ever since its debut at the Opéra de Paris in 1835. Set in the 15th century and full of pageantry, the subject is the forbidden love between a Christian man and a Jewish woman, and the tragedy that ensues. Oper Frankfurt’s contemporary staging won great acclaim, with Ambur Braid being lauded for her ‘luminous soprano’ as the heroine Rachel, and ‘vocal phenomenon’ John Osborn heralded in the role of her father Éléazar as ‘immensely moving’.

The hero of the story is a forty-something intellectual, a sensitive composer of classical music. His exclusive profession, his work, which is actually incomprehensible to those around him, and his deep inner passion set him apart from the conformist milieu. Therefore, he tries to search for the "lark's silence" - a new strength, purity, truth, essence and roots of Czechism. However, on his return from the oppressive, alienated big city to his native village, to his former home, to nature, a deep disillusionment awaits him: he discovers that the once idyllic village has lost not only its face, but also any manifestation of spiritual life in its foolish attempt to resemble the city.

Óscar is a regular visitor to table-dancing and having affairs with any woman who comes his way, cheating on his wife no matter who he hurts. Several women will appear murdered, with him being the main suspect.

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Ana is a woman of thirty-something, goes back to the house where she spent of her childhood during the Argentine dictatorship.

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Shaped by early hardship, journalist Hal Donaldson believes his voice is his path forward. When he meets Doree, a gifted musician, their relationship becomes the foundation that steadies him as his career takes him to places marked by deep suffering. As Hal witnesses crisis and inequality firsthand, the line between observing and acting begins to blur. Confronted with the limits of telling stories alone, he is drawn toward a calling that requires more than words — setting in motion the events that lead to the creation of Convoy of Hope.

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